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Ahora hay lidorico contribuciones y 616 entradas.
(..) Mi comentario tampoco pretende desmaterializar la escultura, y así idealizarla. La cara cerrada e inexpresiva convierte esta falta de encaramiento en algo anónimo y, al mismo tiempo, insistentemente material. Encáralo, esta cara importa: no es tan fácil definir la cara, cuando nos desprendemos de las tradicionales ideas humanísticas preconcebidas. Esto es lo que el […]
Estirando los cables del sueño aparecen luces blancas entre cruceros de risas y cemento.
Querido Remo, ambos comprendemos que nadar en nadas licúa lo imposible de lo invisible, y que esas pocas gotas llenas de auténtica verdad que los sentimientos son capaces de condensar y regalar en una vida, son mucho más que lágrimas, porque al cuerpo lo puedes serenar pero si hablamos de lo más importante, de su […]
Thinking, Seeing, Taking Away: Lidó Rico’s Strategies ofActivating Sculpture Mieke Bal The material of the sculptures does not express emotions, nor does it solicit them. Creating a space of affective intensity, it merely transgresses the firm boundary between object, artefact, or thing, and the people who visit, view, and ponder those things. This transgression is […]
Thinking, Seeing, Taking Away: Lidó Rico’s Strategies ofActivating Sculpture Mieke Bal The Figural as Artistic Language One work in the exhibition stands out as dubiously sculptural: Nocturno de Apalancados(«Night of Leveraged»). This composition of a large number (100) of images on acrylic fixated on wood, each measuring 80 x 110 x 2,5 cm, is emphatically […]
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